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Secrets of
Rattan
(written
around 1996)
I got my nickname
"Stickman" from supplying rattan to many Stockton escrimadors about
10 years ago. Since I don't make much rattan anymore, I might as well pass
along some of my secrets. You can quickly see why making good rattan sticks is
labor intensive, but the results will, if done properly, be worth the effort.
The steps are simple, but there is a lot of technique in doing it right. A very
Zen exercise, actually, as loss of focus at any stage can ruin a
"perfect" stick.
First, I cut it to the length I
want. I then grind the ends flat on a disk sander, then bevel the edges to
eliminate sharp edges and prevent splintering. Next I sand down the nodes until
they are smooth, again to prevent splintering. This involves angling the side
of the stick against the rim of the sanding disk; an improper angle will gouge
into the wood and the stick must be turned constantly to avoid flat spots.
After the sanding is done, I use a
propane torch to bring the oils to the surface of the wood. Again, the stick
must be kept in motion to avoid burning it, and hot pads are used because the
stick can get very hot and retain the heat a long time. I will usually bring
the oils up on one half of a stick, then put on my burn pattern, before
switching ends and doing the other half. I like a "leopard spot"
pattern, which involves darkening patches of the wood. It is imperative to keep
the stick moving, and as soon as coloration begins, to get off the spot. One
can see poor burn technique on most commercial sticks. In the burnt area there
will be little blisters or holes in the skin where the oils popped from the
heat. These weaken the wood from over-drying. A little color is better than too
much. One trick for burnt areas, also good for the sanded nodes, is to rub the
oil from your nose onto the wood (you can use your fingers; this is as fine a
grade of natural oil as sperm whale oil, the finest grade sought by old-time
whalers. Also good for repairing scratches in furniture, musical instruments
etc., or defogging your glasses).
During this stage, I also like to
burn the ends of the stick. I will basically light the end like a candle, then
keep turning it to prevent deep burns, finally blowng it out.
Another burn pattern, called
"tiger stripes", can be done by rolling the sticks across an electric
stove element. I learned this one from Sonny Umpad. Some Hawaiian escrimadors I
trained with would throw their sticks on the bbq after cooking their meat, to
bake the wood and get their patterns off the grill. Reversing the stick angle
can give a cross hatch pattern).
After this stage, I bake the sticks
in an oven at about 375 degrees for 10-15 minutes. It is important to monitor
the sticks constantly, so they don't over-bake. During this process, steam will
come out of the end of the stick (you may see some of this with the torch as
well). As soon as the steam stops, the stick is done! Sometimes one end will
finish before the other; let the dry end stick out of the oven. I like to pull
the sticks out and tap the ends on tile. A wet sound means "not
finished". As soon as it has a crisp click, it's ready. By constant
monitoring, the sticks get moved and turned, so they don't overbake on one side
or one end.
If a stick is crooked, straighten it
out while still hot. I just lay it on the floor and bend the other end up
(using hot pads). As it cools, the stick will retain the adjustment. A properly
heat treated stick is essentially hollow; you can blow on one end and feel warm
breath come out the other end! The again, an over-dry stick will do the same .
. .
Finally, when the stick is warm, I
rub it down with the bone. You can hear little crackles as parts of the wood or
skin compress. Finally, I buff the stick out on a buffing wheel. This gives it
a good shine, spreads the natural oils evenly, and improves the adhesion of the
grip. It feels much nicer than lacquer and will give off the familiar
"burning" smell during training.
These, then, are my 7 steps: cut,
sand, burn, bake, bend, bone, buff. Using this process, I've had some rattan
last for years, such as my bo staffs made in 1986, which I still use for
contact drills, with no splintering. The biggest problem is over-drying;
that'll kill a stick quickly. A "perfect" stick is rare; I usually
can spot my blemishes, but done right, these will last as well as can be
expected for rattan.
BTW, one reason to train with power
is to get used to handling it, a point well emphasized by the Dog Bros. I can
finesse lots of my students, but when a big strong guy comes along, I either
handle it or not, and that is experience. I'm not saying power is necessary to
deal with power, but if you haven't felt it (or haven't worked with it
recently) it can be a rude surprise. Again, really well prepared rattan should
handle power, though obviously not as well as other materials such as certain
hardwoods, plastics or metals.