IN
THE PHILIPPINES
by
Jeff Finder
for Escrima Review, 1989
Traffic. It's different in the Philippines. An American wouldn't have a chance
here. Drive down the street on the
wrong side. It's o.k. And you can do it at night without
headlights. That's o.k. too. Wanna run
a red light? As long as you can squeeze
through, feel free to try.
It's
no wonder that the martial arts of this country are so good. The whole culture is geared towards keen
reflexes and awareness. The flow here
is not just a martial art concept, it's a pervasive energy that one experiences
continuously in daily life. Filipinos
don't rush like Americans. It is not
the speed at which things are done, but the intricacy with which they are
interwoven that marks the character of the islands. Walking, driving, fighting or just hanging out, Filipinos are
always engaged in a dance with life.
I
recently had the good fortune to visit the Philippines as a member of the 1st
U.S.A. Escrima team. This affiliation
was both a buffer against some of the more tiresome aspects of travel and and
an entryway into the martial arts community.
It is always more interesting to visit a place when the motives for
going there run deeper than mere tourism, and the 1st World Full Contact Escrima\Kali\Arnis Championships in
Cebu, Philippines provided just the kind of event to bring together a unique
gathering of people with a deep common interest.
Delegations
of players, coaches and officials from 11 different countries were in
attendance. Some delegations consisted
of only a few people from a single club, while the U.S. contingent, with
eighteen coast-to-coast members, was the largest on hand and sporting the
greatest diversity of participants.
This
also meant that the U.S. squad had a unique challenge to pull together as a
team. With most members arriving only
days before the competition, there was time for only one full-squad workout, on
Thursday. This was actually the first
time that many participants had had a chance to meet each other. As the team passed through three hours of
sparring and drills, people shared tips and insights on training, tactics and
equipment. Gradually, as the gym grew
hotter, one felt a growing sense of comraderie and anticipation. We began to feel that together, as a team,
we symbolized something special: the
first opportunity to represent our country publicly in the homeland of these
arts. The international flavor of this
tournament was not lost on anyone.
The
wise guys on the team emerged during a long jeepney ride to Tambouli beach in
the afternoon. As jokes and puns flew,
people relaxed and took in the scenery.
Good-humored ragging brought everyone together. By the end of Thursday evening, the U.S.A. squad
had made a good start towards becoming Team U.S.A.
* * *
There
are many fine teachers of the Philippino arts in the U.S.A., but in a country
as large as ours they are somewhat spread out and hard to find. Furthermore, there are a few senior
instructors, but for the most part teachers in the U.S. are younger, in their
30's, 40's or 50's. Like a kid in a
candy store, I was surprised and delighted at the pre-tournament convention to
find myself in a room full of elders of the arts.
The
half-dozen or so grandmasters were outflanked by several times that many
masters. The younger ones among this
crowd had at least 20 years experience, the older ones 40 or 50. Some names, like Canete or Ellustrissimo,
were already familiar to me, while others, such as Novales or Lema, were
new. The depth of accumulated
experience became obvious during the formal and impromptu discussions and
demonstrations that took place.
Most
of these men were as interested to meet their overseas guests as we were to meet
them. The Friday WEKAF organizing
convention was a business affair but the socializing felt more like the reunion
of a large extended family. Everyone
wanted to know the affiliations and styles of everyone else so that
relationships could be formed. As
barriers of nationality and age evaporated, some of us were practically adopted
into various clans due to similarities or origins of our style of stick work.
The
Friday convention was also the first formal meeting of the international
competitors. There had been an informal
mingling the night before at Cacoy Canete's 70th birthday party, but now
with tables arranged by country, it was possible to begin sizing up the
competition. Between the various
foreign delegations there was a slight coolness, an unwillingness to drop
barriers before the big event.
Acquaintances were made, but these were mere formal introductions. The real friendships would begin in the
ring.
Throughout
the week preceding the tournament there had been a build-up of publicity in the
Cebu newspapers concerning this event.
The campaign peaked Friday afternoon with a motorcade through town. As the line of vehicles crossed and
re-crossed the center of town, people crowded the curbs to see what was going
on. At one point an old man rushed out
of the crowd with a piece of scrap wood and skillfully began shadow-fighting
alongside our truck. Comraderie ran
high as teams waved, cheered the crowd and heckled each other. By the time the motorcade ended, we all had
sore cheeks from grinning so hard.